In this show, one character arrives and another departs. One wants to build a new life and the other wants to leave to see the world. They have in common the same place, Canas de Senhorim, which is never mentioned and, therefore, Canas is everywhere. They also have in common the number forty-four – their age. From this point onwards, an autofictional universe is constructed that speculates on people, places and streets that no longer exist or are in the process of disappearing, in a constant enumeration of this memorabilia, like a continuous movement between utopia and catastrophe, as if resurrecting the dead were a way of inscribing them in history.